another link in the chain

Roman left the family business, a crematory, and its town to become an accountant to the rich and famous. His sister now runs the crematory with their father, while their younger brother Dante stays on the rolls but his actual profession is being a drug addict and ne'er do well. When the kids were teenagers, their mother vanished. Their father is widely suspected of having murdered his wife and cremated his body, but no proof was ever found. When the book opens, Roman hears that his father is in the hospital, victim of a suspicious accident. He heads home to visit his father and help out his sister. Naturally, he immediately gets embroiled in trouble.

I've loved or liked all of Cosby's previous books and was very excited for this one - especially given the crematory setting. (Cosby himself ran a funeral home with his wife.) Unfortunately, I did not like or feel connected to any of the characters in this one, and so I didn't care what happened to them. Cosby's characters are typically criminals who do bad things, but in his other books, I understand the reasons they are who they are and like them even if I wouldn't want to meet them in real life. But in this one, fairly early on, Roman - who I already didn't feel connected to - commits an act of horrifying cruelty that seems completely unmotivated.

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It's possible that this is explained later, and my guess is that the explanation is "Roman is actually a sadistic sociopath," but I lost all interest in him at that point, and DNF'd the book as I no longer wanted to read about him, none of the other characters interested me either, and the sadistic sociopath explanation doesn't help. I heard an interview with Cosby where he talks about wanting to write a classic tragedy with a very bad protagonist a la Macbeth, which makes his intention make more sense to me, but it doesn't make me want to return to the book.

Cosby is a great author but this book was a miss for me. I HIGHLY recommend Blacktop Wasteland and Razorblade Tears for very well-written books where bad people do bad things that are very motivated, and you can't help rooting for them to succeed. I recommend All Sinners Bleed for a well-written book about a good guy fighting both crime and legal bad things. I recommend My Darkest Prayer for a fun, OTT thriller with a very Marty Stu protagonist. I don't recommend this.

Thank you for writing for me! If you have any questions, please check with the mods. I am a very easy recipient and will be delighted with whatever you write for me. I have no special requirements beyond what's specifically stated in my DNWs. I'm fine with all POVs (i.e., first, second, third), tenses, ratings, story lengths, etc.

My AO3 name is Edonohana. I am open to treats. Very open. I love them.

This year I have gone for a slate of obscure-even-for-Yuletide canons plus a few less obscure canons with obscure-even-for-Yuletide characters. Some of my prompts are longer than others, but I want everything equally.

I like hurt-comfort, action/adventure, horror, domestic life, worldbuilding, evocative descriptions, camaraderie, loyalty, trauma recovery, difficult choices, survival situations, mysterious places and weird alien technology, food, plants, animals, landscape, X-Men type powers, learning to love again or trust again or enjoy life again, miniature things or beings, magic, strange rituals, unknowable things, epistolary fiction, found footage/art/creepy movies/etc, canon divergence AUs anf alternate versions of characters. I particularly love deadly/horrifying yet weirdly beautiful settings, especially if there's elements of space/time/reality warping as well. And many other things, too, of course! That list is just in case something sparks an idea.

( General DNWs )

( Crossroad - Barbara Hambly )

( Earthsea - Ursula K. Le Guin )

( Fire Dancer Series - Ann Maxwell )

( Ki and Vandien Quartet - Megan Lindholm )

( The Last Hot Time - John M. Ford  )

( Lyra - Patricia Wrede )

This is an outstanding work of narrative nonfiction about the sinking of the merchant marine ship El Faro, with no survivors, on October 1, 2015. As far as anyone could tell initially, the captain inexplicably sailed the ship straight into the eye of Hurricane Joaquin, which he definitely knew was there.

Then the black box got retrieved. It had the complete audio recordings of everything that happened on the ship for 26 hours before it sank, right up to its final moments. Rachel Slade, a journalist, used the complete audio plus in-depth interviews with everyone who could possibly have any light to shed on the matter to write the book. She not only gives an analysis of what happened and why, she covers all the surrounding circumstances that led to it. It's an outstanding work of nonfiction disaster reporting that often reads like a suspense novel, it will teach you a lot about many things, and it will make you very angry.

The culprit, essentially, was capitalism. A company called TOTE took over the original company that owned the ship and put a business bro who knew nothing about shipping in charge. He fired a bunch of people at random on the theory that there were too many employees, and slashed maintenance because it was expensive. Everyone who was experienced, skilled, and not desperate who hadn't already been fired quit, leaving only people who were inexperienced, unskilled, undesirable for other reasons, desperate, or in low-level positions where they had no influence on general operations, on a ship in serious need of repairs and upgrades. TOTE put enormous pressure on the captain to get the ship to its destination on time, no matter what, to save money. Finally, there were multiple sources for weather reports, the one which was most current was more complicated to use, and not everyone understood that the other source could be nine hours behind.

The captain had been investigated for sexual harassment, had a history of poor judgment calls, and had the social skills of Captain Ahab; because of this, he knew he was on thin ice and if he got fired from the El Faro, he might not get another job as captain. The second mate was a young woman trying to make it in a men's world who had reported him for harassing her, and dealt by avoiding him as much as possible. The entire crew was operating under a system where the captain was basically God. The only way to contact the outside world, like if for instance a crew member wanted to report that the captain was set on sailing them into a hurricane, was a satellite phone that only the captain had access to.

Basically everyone but the captain was worried they'd sail into the hurricane, the captain was worried he'd get fired if he took the long way around to avoid the hurricane and didn't realize that his weather reports were not up to date, everyone was tiptoeing around or avoiding the captain because he was a giant asshole who was also the God-King, and no one had any way to overrule or go around him.

The culture of "never question the captain even if he's obviously wrong" has caused a number of plane crashes, and the aviation world responded by instituting a system of training to teach crew members to speak up forcefully if they think the captain is making a mistake, complete with exactly how to phrase it. If you're interested in this, it's called Cockpit/Crew Resource Management (CRM); the podcast "Black Box Down" has a number of episodes involving it.

CRM would have been helpful for the El Faro, as would giving the crew private access to the satellite phone or some other way of reporting on the captain. And, of course, so would not allowing companies to put workers in extremely unsafe conditions. Regulations are written in blood. Worse, the blood can spill and nothing gets written at all.

An excellent book. I recommend it to anyone with an interest in disasters, survival, or the failure mode of capitalism.