rachelmanija: (Books: old)
[personal profile] rachelmanija


This is an outstanding work of narrative nonfiction about the sinking of the merchant marine ship El Faro, with no survivors, on October 1, 2015. As far as anyone could tell initially, the captain inexplicably sailed the ship straight into the eye of Hurricane Joaquin, which he definitely knew was there.

Then the black box got retrieved. It had the complete audio recordings of everything that happened on the ship for 26 hours before it sank, right up to its final moments. Rachel Slade, a journalist, used the complete audio plus in-depth interviews with everyone who could possibly have any light to shed on the matter to write the book. She not only gives an analysis of what happened and why, she covers all the surrounding circumstances that led to it. It's an outstanding work of nonfiction disaster reporting that often reads like a suspense novel, it will teach you a lot about many things, and it will make you very angry.

The culprit, essentially, was capitalism. A company called TOTE took over the original company that owned the ship and put a business bro who knew nothing about shipping in charge. He fired a bunch of people at random on the theory that there were too many employees, and slashed maintenance because it was expensive. Everyone who was experienced, skilled, and not desperate who hadn't already been fired quit, leaving only people who were inexperienced, unskilled, undesirable for other reasons, desperate, or in low-level positions where they had no influence on general operations, on a ship in serious need of repairs and upgrades. TOTE put enormous pressure on the captain to get the ship to its destination on time, no matter what, to save money. Finally, there were multiple sources for weather reports, the one which was most current was more complicated to use, and not everyone understood that the other source could be nine hours behind.

The captain had been investigated for sexual harassment, had a history of poor judgment calls, and had the social skills of Captain Ahab; because of this, he knew he was on thin ice and if he got fired from the El Faro, he might not get another job as captain. The second mate was a young woman trying to make it in a men's world who had reported him for harassing her, and dealt by avoiding him as much as possible. The entire crew was operating under a system where the captain was basically God. The only way to contact the outside world, like if for instance a crew member wanted to report that the captain was set on sailing them into a hurricane, was a satellite phone that only the captain had access to.

Basically everyone but the captain was worried they'd sail into the hurricane, the captain was worried he'd get fired if he took the long way around to avoid the hurricane and didn't realize that his weather reports were not up to date, everyone was tiptoeing around or avoiding the captain because he was a giant asshole who was also the God-King, and no one had any way to overrule or go around him.

The culture of "never question the captain even if he's obviously wrong" has caused a number of plane crashes, and the aviation world responded by instituting a system of training to teach crew members to speak up forcefully if they think the captain is making a mistake, complete with exactly how to phrase it. If you're interested in this, it's called Cockpit/Crew Resource Management (CRM); the podcast "Black Box Down" has a number of episodes involving it.

CRM would have been helpful for the El Faro, as would giving the crew private access to the satellite phone or some other way of reporting on the captain. And, of course, so would not allowing companies to put workers in extremely unsafe conditions. Regulations are written in blood. Worse, the blood can spill and nothing gets written at all.

An excellent book. I recommend it to anyone with an interest in disasters, survival, or the failure mode of capitalism.

Dear yuletide author

Oct. 14th, 2025 08:41 pm
raven: [hello my name is] and a silhouette image of a raven (Default)
[personal profile] raven
Dear yuletide author,

I'm [archiveofourown.org profile] singlecrow on the AO3. Thank you very much for writing for me, I will be happy and excited about whatever you write! I am also open to and excited about treats, should anyone wish to write me any.

My general do not wants are violence against women and omegaverse, with a caveat about "The Day After The Revolution", see below. But that aside, I read very broadly. I enjoy sad and dark stories, happy stories, love stories, stories with sex in, stories without. I don't do Christmas, so would prefer a story not be entirely about the characters celebrating it. Other festivals are marvellous.

One thing I really love, in sad and happy stories alike, is people being quietly kind to one another. I also really like people being competent, and found families of all sorts.

Fandom-specific stuff follows.

The Chronicles of Chrestomanci - Diana Wynne Jones )

The Day Before The Revolution - Ursula K. Le Guin )

The Saint of Steel - T Kingfisher )

That's it - as above, I read many things, and I'm thrilled that you're writing for me! I hope you have a wonderful yuletide.

Cheers,
raven

Dear Yule Writer,

Oct. 14th, 2025 01:22 pm
reflectedeve: Janet proudly holds out a cactus which was definitely not the item requested (not a girl - not a robot - buggy)
[personal profile] reflectedeve
Hi there!! Thanks so much for writing for me! I hope you have as much fun with that as I know I will, reading it.

I keep telling myself I’ll write a shorter letter, but I get so much enjoyment out of imagining possibilities and squeeing over the books (and webcomic, this year!) that I love. That means I’m going to have some prompts and some possibly disjointed thoughts about why I love these fandoms. None of it is there to be prescriptive! Feel free to go your own way!

My general feeling going into this Yuletide is that life is pretty tough right now and things are rather dark in the real world, and well, I could use some joy. While every canon is different and the tone that fits each one varies, my tastes are running towards silly shenanigans, adventures, and comfort ... if sometimes flavored a bit by darkness, spookiness (how I love spooky things), or hurt. I’m not looking for schmaltz, but I’m looking for going relatively light on the hurt.

(Er, also. I want to acknowledge something: for all my reliable enthusiasm about this event and the process going in, over the last few years, I’ve struggled pretty hard with reading and commenting on my gifts in anything like a reasonable time frame. It seems to fit in with some other mental health struggles, but that’s not an excuse, and I feel genuinely terrible about it. So, mainly for my own accountability/breaking this cycle: feedback will be prompt this year. Probably on the 25th, and definitely before the 1st; that's a promise.)

A note on DNWs (and Likes): I think these lists are helpful, and I very much appreciate you taking them into account! That said, I think they’re there as general guidelines, to be given and taken in good faith. There’s always going to be some possible interpretation of something (my Likes or DNWs, something in canon, something you’ve written) that one of us won’t have thought of that could maybe be borderline, and I don’t want you to stress it! (My AO3 sign-up includes some fandom-specific annotations to the DNWs, in case those are helpful.)

I hope that you have a marvelous Yuletide - whatever that means to you! Thank you again! <3

DNWs, requests and prompts! )

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