Rhi. (
rhivolution) wrote2010-06-05 12:07 am
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On The Hundred Thousand Kingdoms
So I sorta promised
were_duck on Twitter that I would talk about N.K. Jemisin's The Hundred Thousand Kingdoms, which I plowed through at lightspeed the other day and really enjoyed.
I want to talk about it, badly...I just have no idea where to start. I suppose I could start with a couple of points and people can work outwards from there. Please try to keep comments at one journal (preferably Dreamwidth? idek) so that everyone can follow the discussion.
- Sieh reminds me a lot of
unholynotions' GYO Hermes, to the point where I almost got them twisted in my head...and that did some shit to my brainspace, let me tell you, though it also meant I loved Sieh (despite my frustration with children overall). This probably will make no sense to anyone reading this. Sorry.
- I'd like to have seen some explanation of the incest taboo in the human Kingdoms, as it's just understood that Yeine is slightly thrown by it amongst the gods, but yet not to the point of finding it utterly disgusting like she finds much of Amn culture. Yes, I know it's almost a given in most cultures in our world...then again, maybe that would have been focusing on the wrong thing. Perhaps because of Enefa's soul?
- I appreciate the following: flawed but tough female narrator, realistic depiction of sexuality, enough twists that I had no idea what was going to happen or what had happened!, most excellent political struggles, worldbuilding, uncertainty of what is truth in the narrative.
- Really, I want to see more about the history of the Darre, as what's hinted at is very, very interesting. I'd like to think of it as natural consequences of a 70s-style feminist separatist utopia, but that might just be me being snarky towards said concept.
- The end seems a bit abrupt. I realise it's the end of the story, and I know we'll find out more secondhand in the later books, but I don't know. I feel like I wasn't given enough time to adjust to Yeine's transformation as her narrative style shifts, but that discomfiting is probably intentional.
- Did this almost read like SF to anyone else? I know it's fantasy, because it's magic and gods and whatever, but everything is so well-explained and...yeah. I can't really articulate why I got that feeling, but it's not a bad one.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I want to talk about it, badly...I just have no idea where to start. I suppose I could start with a couple of points and people can work outwards from there. Please try to keep comments at one journal (preferably Dreamwidth? idek) so that everyone can follow the discussion.
- Sieh reminds me a lot of
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
- I'd like to have seen some explanation of the incest taboo in the human Kingdoms, as it's just understood that Yeine is slightly thrown by it amongst the gods, but yet not to the point of finding it utterly disgusting like she finds much of Amn culture. Yes, I know it's almost a given in most cultures in our world...then again, maybe that would have been focusing on the wrong thing. Perhaps because of Enefa's soul?
- I appreciate the following: flawed but tough female narrator, realistic depiction of sexuality, enough twists that I had no idea what was going to happen or what had happened!, most excellent political struggles, worldbuilding, uncertainty of what is truth in the narrative.
- Really, I want to see more about the history of the Darre, as what's hinted at is very, very interesting. I'd like to think of it as natural consequences of a 70s-style feminist separatist utopia, but that might just be me being snarky towards said concept.
- The end seems a bit abrupt. I realise it's the end of the story, and I know we'll find out more secondhand in the later books, but I don't know. I feel like I wasn't given enough time to adjust to Yeine's transformation as her narrative style shifts, but that discomfiting is probably intentional.
- Did this almost read like SF to anyone else? I know it's fantasy, because it's magic and gods and whatever, but everything is so well-explained and...yeah. I can't really articulate why I got that feeling, but it's not a bad one.
no subject
I agree so much about wanting more about Darre. Yeine’s parent culture was so important to her character, but the details we were given felt far too sparse, and always so subjective (since it was almost always Yeine’s highly personal recollections, or occasionally a little Amn prejudice). I wish the book could have spent a little more time there, so we could have seen more through Yeine’s eyes than her memories, which were tantalizing.
As far as the incest taboo thing goes, I think that Yeine was able to accept that the gods were just fundamentally different from humans. They’re not exactly flesh, they’re not “born” the way humans are … it just doesn’t mean the same thing, necessarily, particularly between the Three. They’re all inherently connected, but on a highly symbolic/spiritual level. (The relationship between the Three and their children struck me as a little more “human” somehow – if only because they were deliberately and consciously created - which could be why Yeine seemed more thrown at the idea of Nahadoth sleeping with the other Enefah.)
I have to run out the door, so I’ll just leave these disjointed thoughts for now, but yeah. Quite an engaging, original piece of fantasy writing; I can’t wait for the follow-up. (More thoughts later, maybe.)
no subject
Thanks for your thoughts on the incest thing. It makes a good deal of sense to me, and I don't know why I didn't think of it. I don't have more to say at the moment, I am not braining very well.