A YA novel about five friends who once played a spooky game that only four of them survived. Four years later, their friendship now broken, the ghost of their dead friend returns to drag them into a gameworld based on Japanese folklore. They must play again, for higher stakes, or else.

I like Japanese folklore, "years ago our group of friends did something bad that's now come back to haunt us," and deathworlds/gameworlds. This book sometimes hit the spot for me but more often didn't; it feels like the bones of a good book that needed a couple more drafts. The main issue, I think, is pacing. It's very fast-paced once it hits the gameworld, to the point where it feels like it's rushing from one scenario to the next, without having time to breathe. This also affects character. The characters are there, but they're a bit shallow because of the go-go-go pacing.

The best parts are a really excellent twist I did not at all see coming, and the scene where they all have to play truth or dare with younger versions of themselves at the ages they were when they first played the game. That part digs into character and relationships, not to mention the feeling of that game itself, in a really satisfying way. If the whole book worked on that level, it would have been much better.

There's a sequel that doesn't sound like it goes anywhere interesting.

A middle grade fantasy novel about A, a Jewish trans kid who has not yet chosen a name, and whose parents are forcing him to attend a teen conversion therapy group. He secretly texts with the other trans kids in the group and they support each other. When one of his friends disappears, he meets a strange being that constitutes itself from any discarded objects it can sweep up in a wind - a trash golem - that sets him on a mission.

A hooks up with a bunch of LGBTQ people living in a kind of homemade squat, discovers that the conversion therapy leaders are either demons or possessed by demons, and meet a very supportive rabbi and her husband, who know a lot about Jewish folklore, though - and what could be more Jewish? - they don't always agree about what any of it means.

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This is a sweet, affirming book for all the trans, nonbinary, genderfluid, and suchlike kids out there, and God knows they can use the affirmation. There's some quite beautiful and affecting moments - the first encounter with the trash golem has a blend of the numinous and comedic that reminded me of Terry Pratchett - and I loved the treatment of A's Jewishness and how that connects to both the fantasy elements and his community. I also liked how A being in a liminal space - he's given up his old name but not yet chosen a new one, he's parted from his family and joining a new one, etc - ties in with the book's time period, the Days of Awe, when all is written but not yet sealed.

The elements I did not enjoy so much were the pace, which gets very rushed toward the end, the sometimes Tumblr-esque quality which did make sense as it's about Tumblr kids but which I still find grating, and, unexpectedly, A himself. He's so self-centered and judgy, and though he does eventually learn better I did not like him. I did not enjoy reading all the scenes where he scolds his friends or they scold him, or when they end up telling him exactly why he's a bad friend and refuse to help him with his mission. I've read this exact form of conflict in multiple books recently, and while it's a real thing that happens, reading about it feels like nails on a chalkboard.

I didn't ultimately end up loving this book, but it has a lot of heart and I'm glad it exists. The somewhat similar book that I did love, which doesn't have those unpleasant "bad friends" dynamics, was Chuck Tingle's Camp Damascus.

Content notes: Transphobia is central to the story.

From the blurb:

One fellow camper will do whatever it takes to make it out of the Boundary Waters alive. Even if he's the only one.

A psychological thriller mixed with intense action.

Nah, just kidding! It's not a psychological thriller, it's a survival story. One of the teenage campers is a racist, a sexual harasser, and an attempted rapist, but he never tries to kill any of the others or abandons them to die or anything like that.

Yep! It's another disappointing survival book with a misleading blurb and gratuitous grossness towards teenage girls!

Teenage Emma is traumatized after failing to save her younger sister from drowning, so she gets her parents to book her into a teen wilderness survival course to take her mind off things. In a portentous scene, her father gives her a Swiss army knife. She's confused and concerned that he's giving her a weapon to take on a camping trip - does he expect her to be attacked? I was confused why she would think of a Swiss army knife as a weapon rather than a tool. If you don't even know what a Swiss army knife is, then you can't tell that it's a knife at all when it's folded. If you recognize it when folded, then you know that it is a multitool.

The early part of the book jumps around confusingly in time, to the point where I flipped back pages repeatedly to see if I'd missed something. No, it was just the author's pointless decision to start with them pitching their tents after the first day's walk, then jump back to them packing their supplies.

We get very little characterization, but that's okay: three of the seven are about to die! Two days in, a strange storm hits their camp. It's described in such a portentous way that I thought it was supernatural or man-made, but nothing ever comes of this so I guess not. Two of the campers and the guide are squashed by falling trees, then a wildfire starts. Instead of jumping in the lake, they run for their lives and get very lost.

At this point, we get some characterization. Chloe is the girl who isn't Emma. Her race is coyly not mentioned until Isaac, the creepy boy, gets racist at her about being black. Oscar is the boy who isn't creepy, so Emma naturally falls in love with him. Isaac constantly sexually harasses Emma, once tries to rape her, and is sadistic to animals. This goes on for the entire book.

Late in the book, Oscar and Isaac both fall over a cliff. Isaac dangles from a rock stub by one hand, and holds Oscar, who is suspended in mid-air, by one backpack strap. Emma and Chloe make a rope of clothing, with a key part being her bra. Isaac somehow grabs the clothes rope without falling. He's clinging to a rock stub with one hand and a backpack strap supporting another person. How does he get one hand free to grab the bra rope without falling? This is not described as it's not thought through. He grabs the rope - again, anchored by A BRA tied to a tree - and, it's not clearly described, but it seems like Emma single-handed pulls him and Oscar up. Is the bra made of bungee cord?

Emma ponders that Isaac was very brave and unselfish. People are complicated, she realizes. This is as close as the book comes to any resolution on Isaac sexually harassing and threatening her for the entire book, oh and also TRYING TO RAPE HER.

This book sucked.